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authorChris Robinson <[email protected]>2018-03-30 09:18:17 -0700
committerChris Robinson <[email protected]>2018-03-30 09:18:17 -0700
commit91900b0599db9e49847053808c07233fd05ee478 (patch)
tree8cbac04d1a0f9a87b8d7bd132efbd4fdd6a1f475 /docs/ambisonics.txt
parent29ae74d4bbca28f9dc25949d0e2f0f14b4d5d805 (diff)
Fix misspellings of quadraphonic
AL_LOKI_quadriphonic is left alone since that is what the extension is called and what code expects. All other instances have been fixed for consistency.
Diffstat (limited to 'docs/ambisonics.txt')
-rw-r--r--docs/ambisonics.txt2
1 files changed, 1 insertions, 1 deletions
diff --git a/docs/ambisonics.txt b/docs/ambisonics.txt
index b50e76c2..2d94427e 100644
--- a/docs/ambisonics.txt
+++ b/docs/ambisonics.txt
@@ -17,7 +17,7 @@ fully 3D soundfield using as few as 4 channels (or even just 3, if you don't
mind dropping down to 2 dimensions like many surround sound systems are). This
representation is called B-Format. It was designed to handle audio independent
of any specific speaker layout, so with a proper decoder the same recording can
-be played back on a variety of speaker setups, from quadrophonic and hexagonal
+be played back on a variety of speaker setups, from quadraphonic and hexagonal
to cubic and other periphonic (with height) layouts.
Although it was developed decades ago, various factors held ambisonics back