| Commit message (Collapse) | Author | Age | Files | Lines |
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Since it was merely acting as an extension of it anyway, with the second delay
line tap (for late reverb) copying attenuated samples to the decorrelator line
that was being tapped off of. Just extend the delay line and offset the
decorrelator taps to be relative to the late reverb tap.
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Since it's accumulating multiple HRIRs for two output speakers, it seems to be
a better option to preserve the amplitude of the high-frequency decoder instead
of increasing it, and reduce the amplitude of the low-frequency decoder to
compensate.
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Also increase the default stack size to 2MB.
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Build NEON code with -mfpu=neon
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The ARM-specific NEON code needs to be built with -mfpu=neon to avoid
build failures when a difference FPU is used by default by the
compiler.
Fixes issue #54.
Signed-off-by: Thomas Petazzoni <[email protected]>
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14 in total, an 8-point cube and a 6-point diamond shape, to help improve sound
localization a bit. Incurs no real extra CPU cost once the IRs are built.
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Less than ideal since documentations warn it may not list 'neon' even if it's
really supported. However, the "proper" APIs to check for NEON extensions don't
seem to exist in my toolchain.
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Avoids converting each enumerated devid from WSTR to UTF-8, and instead just
converts the device name from UTF-8 to WSTR once if needed.
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mmdevapi: Allow specifying output device by it's audio endpoint GUID …
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the device id string (Oculus VR api requires you to play back on a specific device).
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No idea if it was really gaining us anything, but removing it fixes a crash I
was getting with libs built with Clang.
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Ideally the band-pass should probably happen closer to output, like gain is.
However, doing that would require 16 filters (4 early + 4 late channels, each
with a low-pass and high-pass filter), compared to the two needed to do it on
input.
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They were causing GCC's built-in atomic cmpxchg to complain.
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To help avoid redundant manual definitions.
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Use single-band processing for now, to see if dual-band is causing a drop in
quality at all.
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It still behaves the same, although now combines the separate decode+encode
matrices into a transcode matrix (one per frequency band).
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Using the 'd' key will toggle the playback source's AL_DIRECT_CHANNELS_SOFT
property. Although there is no visual feedback showing when it's on or off.
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As per the current AL_SOFT_gain_clamp_ex proposal.
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The combined source and listener gains now can't exceed a multiplier of 16
(~24dB). This is to avoid mixes getting out of control with large volume
boosts, which reduces the effective precision given by floating-point.
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This appears to be how Creative's Windows drivers handle it, and is necessary
for at least the Windows version of UT2k4 (otherwise it tries to play a source
while suspended, checks and sees it's stopped, then kills it before it's given
a chance to start playing).
Consequently, the internal properties it gets mixed with are determined by what
the source properties are at the time of the play call, and the listener
properties at the time of the suspend call.
This does not change alDeferUpdatesSOFT, which will still hold the play state
change until alProcessUpdatesSOFT.
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Note that this now also causes all playing sources to update when an effect
slot is updated. This is a bit wasteful, as it should only need to re-update
sources that are using the effect slot (and only when a relevant property is
changed), but it's good enough. Especially with deferring since all playing
sources are going to get updated on the process call anyway.
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This allows us to not have to play around with trying to avoid duplicate state
pointers, since the reference count will ensure they're deleted as appropriate.
The only caveat is that the mixer is not allowed to decrement references, since
that can cause the object to be freed (which the mixer code is not allowed to
do).
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This is mostly just reorganizing the effects to call the Construct method which
initializes the ref count.
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