Commit message (Collapse) | Author | Age | Files | Lines | |
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* | More directly map coefficients for ambisonic mixing buffers | Chris Robinson | 2016-04-15 | 1 | -8/+5 |
| | | | | | | Instead of looping over all the coefficients for each channel with multiplies, when we know only one will have a non-0 factor for ambisonic mixing buffers, just index the one with a non-0 factor. | ||||
* | Avoid mixing all coefficients together when only some are used | Chris Robinson | 2016-04-15 | 1 | -4/+6 |
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* | Avoid unnecessary loops for setting up effect slot b-format buffer mixing | Chris Robinson | 2016-04-14 | 1 | -12/+12 |
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* | Split aluInitPanning into separate functions for HRTF or UHJ | Chris Robinson | 2016-04-14 | 1 | -3/+1 |
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* | Include any first-order scaling in the FOAOut coefficients | Chris Robinson | 2016-03-25 | 1 | -12/+2 |
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* | Implement AL_EXT_STEREO_ANGLES support | Chris Robinson | 2016-03-25 | 1 | -3/+8 |
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* | Add a cast and a couple float type fixes | Chris Robinson | 2016-03-24 | 1 | -2/+2 |
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* | Up-sample first-order content when using a higher order HQ decoder | Chris Robinson | 2016-03-23 | 1 | -0/+8 |
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* | Add a specific output for first-order sources | Chris Robinson | 2016-03-22 | 1 | -1/+3 |
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* | Store the effect's output buffer in the effect state | Chris Robinson | 2016-03-17 | 1 | -5/+5 |
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* | Add a dual-band ambisonic decoder | Chris Robinson | 2016-03-15 | 1 | -0/+8 |
| | | | | | | | | | | This uses a virtual B-Format buffer for mixing, and then uses a dual-band decoder for improved positional quality. This currently only works with first- order output since first-order input (from the AL_EXT_BFROMAT extension) would not sound correct when fed through a second- or third-order decoder. This also does not currently implement near-field compensation since near-field rendering effects are not implemented. | ||||
* | Always mix to the real output for DirectChannels | Chris Robinson | 2016-03-14 | 1 | -19/+7 |
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* | Use the real output's left and right channels with HRTF | Chris Robinson | 2016-03-11 | 1 | -12/+17 |
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* | Use the proper left and right channels for UHJ output | Chris Robinson | 2016-03-10 | 1 | -3/+10 |
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* | Generalize GetChannelIdxByName | Chris Robinson | 2016-03-10 | 1 | -10/+5 |
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* | Keep track of the real output's channel names | Chris Robinson | 2016-03-10 | 1 | -27/+8 |
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* | Organize the dry buffer properties into a struct | Chris Robinson | 2016-03-09 | 1 | -15/+15 |
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* | Track the virtual and real output buffers ecplicitly | Chris Robinson | 2016-03-09 | 1 | -31/+23 |
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* | Add an option for pair-wise stereo panning | Chris Robinson | 2016-02-26 | 1 | -12/+41 |
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* | Use 2-channel UHJ for stereo output | Chris Robinson | 2016-02-26 | 1 | -31/+30 |
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* | Use an 8-channel cube for HRTF's virtual format. | Chris Robinson | 2016-02-20 | 1 | -7/+7 |
| | | | | | | There were phase issues caused by applying HRTF directly to the B-Format channels, since the HRIR delays were all averaged which removed the inter-aural time-delay, which in turn removed significant spatial information. | ||||
* | Calculate HRTF stepping params right before mixing | Chris Robinson | 2016-02-14 | 1 | -76/+17 |
| | | | | | This means we track the current params and the target params, rather than the target params and the stepping. This closer matches the non-HRTF mixers. | ||||
* | Calculate channel gain stepping just before mixing | Chris Robinson | 2016-02-14 | 1 | -224/+58 |
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* | Rename ComputeBFormatGains to ComputeFirstOrderGains | Chris Robinson | 2016-01-31 | 1 | -3/+3 |
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* | Properly silence the LFE input channel gain on the source sends | Chris Robinson | 2016-01-30 | 1 | -0/+8 |
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* | Fix scaling for effect sends of B-Format sources | Chris Robinson | 2016-01-30 | 1 | -1/+10 |
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* | Mix to multichannel for effects | Chris Robinson | 2016-01-28 | 1 | -55/+235 |
| | | | | | | This mixes to a 4-channel first-order ambisonics buffer. With ACN ordering and N3D scaling, this makes it easy to remain compatible with effects that only care about mono input since channel 0 is an unattenuated mono signal. | ||||
* | Pass a pointer to the input samples array for effect processing | Chris Robinson | 2016-01-27 | 1 | -9/+15 |
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* | Separate calculating ambisonic coefficients from the panning gains | Chris Robinson | 2016-01-25 | 1 | -5/+11 |
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* | Use doubles for the constructed listener matrix | Chris Robinson | 2015-11-11 | 1 | -40/+82 |
| | | | | | | This helps the stability of transforms to local space for sources that are at or near the listener. With a single-precision matrix, even FLT_EPSILON might not be enough to detect matching positions. | ||||
* | Update the bsinc table | Chris Robinson | 2015-11-10 | 1 | -3/+5 |
| | | | | Precision is increased to cover the full 32-bit float range. | ||||
* | Remove a const to silence some warnings | Chris Robinson | 2015-11-06 | 1 | -1/+1 |
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* | Use more accurate floating point literals | Chris Robinson | 2015-11-06 | 1 | -6/+6 |
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* | Implement a band-limited sinc resampler | Chris Robinson | 2015-11-05 | 1 | -0/+74 |
| | | | | | | | | This is essentially a 12-point sinc resampler, unless it's resampling to a rate higher than the output, at which point it will vary between 12 and 24 points and do anti-aliasing to avoid/reduce frequencies going over nyquist. Code provided by Christopher Fitzgerald. | ||||
* | Pass in the Q parameter for setting the filter parameters | Chris Robinson | 2015-11-01 | 1 | -16/+24 |
| | | | | Also better handle the peaking filter gain. | ||||
* | Set the current gain immediately if the target is close enough | Chris Robinson | 2015-10-26 | 1 | -2/+8 |
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* | Set XYZ channel gains for source sends to 0 | Chris Robinson | 2015-10-23 | 1 | -80/+107 |
| | | | | | It's cleaner to just set the gains to 0 rather than to special-case B-Format in the mixer. | ||||
* | Use one send gain per buffer channel | Chris Robinson | 2015-10-23 | 1 | -11/+16 |
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* | Return the new vector result from aluMatrixVector | Chris Robinson | 2015-10-22 | 1 | -14/+12 |
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* | Remove the MIDI code | Chris Robinson | 2015-10-20 | 1 | -3/+0 |
| | | | | | | | The extension's not going anywhere, and it can't do anything fluidsynth can't. The code maintenance and bloat is not worth keeping around, and ideally the AL API would be able to facilitate MIDI-like behavior anyway (envelopes, start-at- time, etc). | ||||
* | Round the calculated stepping value | Chris Robinson | 2015-10-15 | 1 | -10/+2 |
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* | Replace the resample_fir6 declaration with resample_fir8 | Chris Robinson | 2015-10-12 | 1 | -1/+1 |
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* | Implement a 6-point sinc-lanczos filter | Chris Robinson | 2015-09-29 | 1 | -0/+1 |
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* | Fix resample_fir4 link error | Aaron Jacobs | 2015-09-29 | 1 | -1/+1 |
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* | Increase the max pitch to 255 | Chris Robinson | 2015-09-26 | 1 | -3/+0 |
| | | | | | | | Note that this is the multiple above the device sample rate, rather than the source property limit. It could theoretically be increased to 511 by testing against UINT_MAX instead of INT_MAX, since the increment and positions are using unsigned integers. I'm just being paranoid about overflows. | ||||
* | Remove unneeded clamping | Chris Robinson | 2015-09-24 | 1 | -24/+16 |
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* | Use N3D scaling instead of FuMa | Chris Robinson | 2015-09-23 | 1 | -7/+7 |
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* | Fix updating listener params when forcing updates | Chris Robinson | 2015-09-18 | 1 | -32/+40 |
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* | Update properties and clear wet buffers before mixing/processing | Chris Robinson | 2015-09-13 | 1 | -52/+69 |
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* | Explicitly convert to int in the aluF2I/S/B functions | Chris Robinson | 2015-09-07 | 1 | -9/+16 |
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