Commit message (Collapse) | Author | Age | Files | Lines | |
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* | Remove SET_VTABLE1 | Chris Robinson | 2018-01-11 | 1 | -3/+0 |
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* | Clean up the EffectList members and make the list size known | Chris Robinson | 2018-01-11 | 1 | -1/+1 |
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* | Move the ringbuffer declarations to a separate header | Chris Robinson | 2018-01-11 | 11 | -23/+42 |
| | | | | And rename alcRing.c to ringbuffer.c for consistency. | ||||
* | Move the FPU mode declarations to a separate header | Chris Robinson | 2018-01-11 | 5 | -2/+43 |
| | | | | Also don't use inheritance with FPUCtl. | ||||
* | Move the config function declarations to their own header | Chris Robinson | 2018-01-11 | 13 | -0/+29 |
| | | | | And rename alcConfig.c to alconfig.c for consistency. | ||||
* | Move the CPU capability flags to a separate header | Chris Robinson | 2018-01-11 | 5 | -5/+23 |
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* | Move the compressor/limiter declarations to their own header | Chris Robinson | 2018-01-11 | 4 | -27/+63 |
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* | Move the polymorphic/inheritance macros to a separate header | Chris Robinson | 2018-01-11 | 1 | -0/+108 |
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* | Reorder some loops in the equalizer and use MixSamples | Chris Robinson | 2018-01-11 | 1 | -61/+43 |
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* | Use MixSamples for the dedicated and ring modulator effect output | Chris Robinson | 2018-01-11 | 2 | -57/+40 |
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* | Apply the distortion gain to the mixing gains | Chris Robinson | 2018-01-11 | 1 | -6/+3 |
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* | Move some HRTF structures to hrtf.h | Chris Robinson | 2018-01-11 | 1 | -0/+31 |
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* | Avoid using macros to access anonymous structures | Chris Robinson | 2018-01-11 | 13 | -46/+52 |
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* | Don't return whether the bsinc filter cuts or not | Chris Robinson | 2018-01-10 | 1 | -22/+8 |
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* | Make a function pointer static | Chris Robinson | 2018-01-10 | 1 | -1/+1 |
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* | Use one macro to handle both resample padding sizes | Chris Robinson | 2018-01-09 | 4 | -22/+22 |
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* | Combine the chorus and flanger processing functions | Chris Robinson | 2018-01-09 | 2 | -436/+164 |
| | | | | | | | Given that they're nearly identical, it should be relatively simple to use the same effect state to process either of them, similar to the reverbs. The big differences seem to be the delay range (much shorter with flanger) and the defaults. | ||||
* | Rename the device's temp buffer storage to be more generic | Chris Robinson | 2018-01-09 | 2 | -7/+11 |
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* | Remove standard reverb specific processing functions | Chris Robinson | 2018-01-07 | 2 | -116/+35 |
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* | Move the UNEXPECTED macro to the main header and rename it | Chris Robinson | 2018-01-07 | 2 | -7/+2 |
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* | Ensure the chorus delay and depth leave enough padding for resampling | Chris Robinson | 2018-01-07 | 2 | -14/+26 |
| | | | | Also use cubic resampling for the modulated tap. Applies to flanger too. | ||||
* | Use a separate function to get the cubic value | Chris Robinson | 2018-01-07 | 2 | -9/+2 |
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* | Remove the sinc4 table | Chris Robinson | 2018-01-07 | 1 | -5/+0 |
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* | Replace the sinc4 resampler with cubic | Chris Robinson | 2018-01-07 | 7 | -290/+21 |
| | | | | | | | Turns out the C version of the cubic resampler is just slightly faster than even the SSE3 version of the FIR4 resampler. This is likely due to not using a 64KB random-access lookup table along with unaligned loads, both offseting the gains from SSE. | ||||
* | Test the correct offset for the loop start range | Chris Robinson | 2018-01-04 | 1 | -1/+1 |
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* | Use the correct start point when looping | Chris Robinson | 2018-01-04 | 1 | -2/+2 |
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* | Use separate outputs for the vector reverse and scatter functions | Chris Robinson | 2018-01-04 | 1 | -29/+23 |
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* | Avoid the modulated output tap for late reverb | Chris Robinson | 2018-01-04 | 1 | -28/+14 |
| | | | | | | And fix the output filtering. The modulation code is still there since it's (probably) technically correct, but the interaction with the feedback loop and filtering on the output caused improper behavior which needs to be sorted out. | ||||
* | Don't offset the reverb modulation sinus | Chris Robinson | 2018-01-02 | 1 | -1/+1 |
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* | Use a float literal for float math | Chris Robinson | 2018-01-02 | 1 | -2/+2 |
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* | Reset CompLen when loading loop repeats in the mixer | Chris Robinson | 2018-01-02 | 1 | -0/+1 |
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* | Avoid dereferencing a NULL pointer | Chris Robinson | 2017-12-31 | 1 | -1/+2 |
| | | | | | | Even though it's taking the address of a member, it's still technically a derefernce and thus undefined behavior. sizeof doesn't "execute" the expression, so derefering in it instead is fine. | ||||
* | Update resampler padding checks | Chris Robinson | 2017-12-29 | 1 | -3/+3 |
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* | Fix up a comment | Chris Robinson | 2017-12-24 | 1 | -7/+5 |
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* | Don't make a pass-through macro for FadedDelayLineOut | Chris Robinson | 2017-12-24 | 1 | -8/+7 |
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* | Use linear interpolation for reverb modulation | Chris Robinson | 2017-12-24 | 1 | -76/+130 |
| | | | | | | The core LateReverb_* functions are explicitly written out now, since the tapping and blending done by the Faded version is a bit more complex and it's not so easy to ensure proper optimizing on the Unfaded version. | ||||
* | Don't offset the chorus/flanger delay and LFO | Chris Robinson | 2017-12-24 | 2 | -36/+22 |
| | | | | | The delay being added to the scaled LFO will ensure a proper positive result regardless. | ||||
* | Fade between depths in the reverb modulator | Chris Robinson | 2017-12-24 | 1 | -48/+26 |
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* | Use a separate unmodulated feedback tap for reverb | Chris Robinson | 2017-12-24 | 1 | -18/+20 |
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* | Clarify some reverb values | Chris Robinson | 2017-12-23 | 1 | -7/+6 |
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* | Reorder some global variables | Chris Robinson | 2017-12-23 | 1 | -188/+188 |
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* | Cleanup reverb modulation scaling | Chris Robinson | 2017-12-23 | 1 | -14/+17 |
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* | Add missing integer queries | Chris Robinson | 2017-12-21 | 1 | -23/+65 |
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* | Fix the lfo_offset for a 0-rate flanger | Chris Robinson | 2017-12-19 | 1 | -1/+1 |
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* | Use MixSamples for the echo output | Chris Robinson | 2017-12-19 | 1 | -30/+20 |
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* | Update the chorus and flanger state struct less often | Chris Robinson | 2017-12-19 | 2 | -8/+8 |
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* | Make the echo effect only apply feedback to repeated samples | Chris Robinson | 2017-12-19 | 1 | -11/+16 |
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* | Fade gains in the chorus and flanger output | Chris Robinson | 2017-12-19 | 2 | -16/+20 |
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* | Use a single delay line for chorus feedback on a fixed tap | Chris Robinson | 2017-12-18 | 2 | -92/+118 |
| | | | | | | The outputs themselves use a variale-delay tap, but using a separate fixed- delay tap on the feedback helps improve the perceived "wobble" with sustained notes. This also applies to the flanger effect. | ||||
* | Apply chorus and flanger feedback on the tapped re-feed | Chris Robinson | 2017-12-17 | 2 | -6/+6 |
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