Commit message (Collapse) | Author | Age | Files | Lines | |
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* | Apply reverb modulation to the late feedback lines | Chris Robinson | 2017-05-12 | 1 | -104/+71 |
| | | | | | | | | This seems to be more in-line with the intended behavior, to allow build-up and overlap within the reverb decay, rather than a pitch-shift on input. Unfortunately there's no readily available implementation of this reverb model that includes modulation to compare with, so a low depth coefficient is used to keep it very subtle. | ||||
* | Remove the 0.5 gain on the reverb output | Chris Robinson | 2017-05-11 | 1 | -6/+2 |
| | | | | | Turns out to be unnecessary, as it reduced the volume below what other reverb implementations provide with the same presets. | ||||
* | Restore the previous reverb B2A and A2B matrices | Chris Robinson | 2017-05-11 | 1 | -12/+12 |
| | | | | Also, untranspose the A2B matrix. | ||||
* | Log whether the output limiter is enabled or disabled | Chris Robinson | 2017-05-11 | 1 | -0/+1 |
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* | Finalize AL_SOFT_source_spatialize | Chris Robinson | 2017-05-11 | 1 | -1/+1 |
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* | Update ALC_OUTPUT_LIMITER_SOFT to handle ALC_DONT_CARE_SOFT | Chris Robinson | 2017-05-11 | 1 | -4/+8 |
| | | | | | Essentially just adding a comment about it. Since we default to on, the behavior already fit. | ||||
* | Reduce LIMITER_VALUE_MAX | Chris Robinson | 2017-05-09 | 1 | -6/+12 |
| | | | | | | The previous value couldn't actually be expressed as a float and got rounded up to the next whole number value, leaving the potential for an overrun in the squared sum. | ||||
* | Store the output limiter values as fixed-point integers | Chris Robinson | 2017-05-08 | 1 | -11/+6 |
| | | | | | This helps keep the squared sum stable over larger updates, also avoiding the need to keep recalculating it. | ||||
* | Update reverb conversion matrices and output gain | Chris Robinson | 2017-05-08 | 1 | -10/+12 |
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* | Apply attenuation when downmixing multi-channel sounds for panning | Chris Robinson | 2017-05-07 | 1 | -10/+26 |
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* | Calculate the output limiter gain using the RMS | Chris Robinson | 2017-05-05 | 2 | -30/+78 |
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* | Rename RollOff to Rolloff | Chris Robinson | 2017-05-05 | 1 | -4/+4 |
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* | Increase the HRTF transition to 128 samples | Chris Robinson | 2017-05-05 | 1 | -2/+2 |
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* | Implement cross-platform embedding of HRTF data | alexey.lysiuk | 2017-05-05 | 3 | -78/+8 |
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* | Start an extension to change the source's spatialize property | Chris Robinson | 2017-05-05 | 1 | -1/+4 |
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* | Add a property to force source spatialization on or off | Chris Robinson | 2017-05-04 | 1 | -3/+5 |
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* | Handle attenuated sources in CalcPanningAndFilters | Chris Robinson | 2017-05-04 | 1 | -377/+442 |
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* | Calculate the multi-channel panning in a separate function | Chris Robinson | 2017-05-04 | 1 | -249/+249 |
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* | Finalize AL_SOFT_source_resampler | Chris Robinson | 2017-05-03 | 1 | -1/+1 |
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* | Add a mixing function to blend HRIRs | Chris Robinson | 2017-05-03 | 6 | -27/+90 |
| | | | | | | This is a bit more efficient than calling the normal HRTF mixing function twice, and helps solve the problem of the values generated from convolution not being consistent with the new HRIR. | ||||
* | Add a slight bit of attenuation to the reverb output | Chris Robinson | 2017-05-02 | 1 | -2/+4 |
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* | Remove a duplicate check | Chris Robinson | 2017-05-02 | 1 | -1/+1 |
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* | Change some ALuint parameters to ALsizei | Chris Robinson | 2017-05-02 | 10 | -75/+74 |
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* | Rename VOICE_IS_HRTF to VOICE_HAS_HRTF | Chris Robinson | 2017-05-02 | 2 | -5/+5 |
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* | Rename 'moving' flag to 'fading' | Chris Robinson | 2017-05-02 | 1 | -2/+2 |
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* | Reimplement bilinear interpolation between HRIRs | Chris Robinson | 2017-05-01 | 1 | -25/+82 |
| | | | | | | Some data sets are just too sparse, having noticeably few measurements to properly handle slowly panning sources. Although not perfect, bilinearly interpolating the HRIR measurements improves the positional accuracy. | ||||
* | Allow querying the output limiter state | Chris Robinson | 2017-04-30 | 1 | -2/+12 |
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* | Start an extension to toggle the output limiter | Chris Robinson | 2017-04-30 | 1 | -5/+18 |
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* | Don't do more reverb samples than there are to fade. | Chris Robinson | 2017-04-28 | 1 | -2/+6 |
| | | | | This avoids having to clamp the fade value when incrementing it. | ||||
* | Fade HRTF coefficients over 64 samples at most | Chris Robinson | 2017-04-28 | 1 | -40/+69 |
| | | | | | | This greatly improves HRTF performance since the dual-mix only applies to the 64-sample coefficient transition. So rather than doubling the full mix, it only doubles 64 samples out of the full mix. | ||||
* | Combine mostly duplicate functions | Chris Robinson | 2017-04-27 | 1 | -121/+50 |
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* | Properly update the delay line offsets when fading is done | Chris Robinson | 2017-04-27 | 1 | -28/+44 |
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* | Write directly to the output for HRTF | Chris Robinson | 2017-04-27 | 1 | -51/+26 |
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* | Implement a limiter on the device output | Chris Robinson | 2017-04-26 | 2 | -4/+70 |
| | | | | | | This reduces the output volume when the mixed samples extend outside of -1,+1, to prevent excessive clipping. It can reduce the volume by -80dB in 50ms, and increase it by +80dB in 1s (it will not go below -80dB or above 0dB). | ||||
* | Reverb code update | Chris Robinson | 2017-04-26 | 1 | -824/+1213 |
| | | | | | | | | | | | | | | This update modifies the reverb in numerous ways. The 3-series, 4-parallel all-pass is replaced with a Gerzon vector all-pass. The vector all-pass is also applied to the early reflections, to help with the initial diffusion in the late reverb. The late reverb filter and feedback attenuation has been replaced with a dual first-order equalization filter, which controls the low and high frequencies with individual low-pass/high-shelf and high-pass/low-shelf filters with gain control. Additionally, delay lines now have the ability to blend the output between two offsets, to help smooth out the transition for when the delay changes (without such, it could result in undesirable clicks and pops). | ||||
* | Skip mixing the fade out step when starting silent | Chris Robinson | 2017-04-25 | 1 | -12/+19 |
| | | | | | Unfortunately it can't skip mixing the fade in when going to silence because the history needs to be up to date. | ||||
* | Remove const from _Atomic vars to make Clang happy | Chris Robinson | 2017-04-21 | 2 | -9/+13 |
| | | | | | | | | Clang does not allow using C11's atomic_load on const _Atomic variables. Previously it just disabled use of C11 atomics if atomic_load didn't work on a const _Atomic variable, but I think I'd prefer to have Clang use C11 atomics for the added features (more explicit memory ordering) even if it means a few instances of breaking const. | ||||
* | Add the ability to change the source resampler | Chris Robinson | 2017-04-21 | 1 | -1/+2 |
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* | Correctly enable the ambisonic upsampler for HOA output | Chris Robinson | 2017-04-21 | 1 | -1/+1 |
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* | Add a method to enumerate resamplers | Chris Robinson | 2017-04-21 | 1 | -0/+7 |
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* | Store the resampler as part of the source | Chris Robinson | 2017-04-21 | 2 | -3/+3 |
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* | Make the default resampler a variable | Chris Robinson | 2017-04-20 | 1 | -8/+9 |
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* | Try NEON mixers before SSE | Chris Robinson | 2017-04-20 | 1 | -9/+8 |
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* | Make the buffer list next pointer atomic | Chris Robinson | 2017-04-19 | 2 | -4/+6 |
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* | Fix a mixed-sign-comparison warning on MSVC | Chris Robinson | 2017-04-19 | 1 | -1/+1 |
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* | Allocate a new context's voices after updating the device params | Chris Robinson | 2017-04-19 | 1 | -26/+15 |
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* | Check for the upsampler to determine if HRTF uses HOA | Chris Robinson | 2017-04-18 | 1 | -15/+12 |
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* | Use a different way to get the size of structs with flexible array members | Chris Robinson | 2017-04-18 | 5 | -10/+8 |
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* | Store the source queue head in the voice to signify looping | Chris Robinson | 2017-04-18 | 1 | -12/+9 |
| | | | | | This removes the need to access a couple more source fields in the mixer, and also makes the looping and queue fields non-atomic. | ||||
* | Remove unnecessary functions in the JACK backend | Chris Robinson | 2017-04-17 | 1 | -19/+8 |
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