Commit message (Collapse) | Author | Age | Files | Lines | |
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* | Disable the autowah effect | Chris Robinson | 2014-08-06 | 1 | -0/+4 |
| | | | | | | | | There's apparently some issues with it causing noise or killing the output. It might be due to the per-sample changes being too harsh for the filter to keep up with, but it's not something I can take care of in time for release. This commit should be reverted after release when work on fixing it can resume. | ||||
* | Make the DYNLOAD LoadFSynth function non-inline | Chris Robinson | 2014-08-05 | 1 | -1/+1 |
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* | Load fluidsynth dynamically when possible | Chris Robinson | 2014-08-05 | 1 | -2/+107 |
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* | Use an ATOMIC_INIT macro instead of ATOMIC_LOAD_UNSAFE | Chris Robinson | 2014-08-03 | 1 | -9/+9 |
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* | Use atomics for the device and context list heads | Chris Robinson | 2014-08-01 | 2 | -61/+98 |
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* | Make the source's buffer queue head and current queue item atomic | Chris Robinson | 2014-07-31 | 2 | -16/+17 |
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* | Rename ATOMIC_COMPARE_EXCHANGE to ATOMIC_COMPARE_EXCHANGE_STRONG | Chris Robinson | 2014-07-31 | 1 | -1/+1 |
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* | Use pulseaudio's write callback to signal a mixer proc wakeup | Chris Robinson | 2014-07-26 | 1 | -3/+11 |
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* | Explicitly pass the address of atomics and parameters that can be modified | Chris Robinson | 2014-07-26 | 2 | -22/+22 |
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* | Support C11 atomics | Chris Robinson | 2014-07-23 | 1 | -1/+3 |
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* | Use generic atomics in more places | Chris Robinson | 2014-07-22 | 2 | -25/+20 |
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* | Add macros for generic atomic functionality | Chris Robinson | 2014-07-22 | 2 | -6/+6 |
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* | Check the current directory first for data files | Chris Robinson | 2014-07-21 | 1 | -2/+16 |
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* | Use the UNUSED macro instead of a void cast | Chris Robinson | 2014-07-19 | 1 | -2/+1 |
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* | Stop trying to read samples if there was an error | Chris Robinson | 2014-07-19 | 1 | -1/+1 |
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* | Trace when a soundfont buffer goes unused | Chris Robinson | 2014-07-19 | 1 | -0/+3 |
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* | Keep existing presets when loading in a new soundfont | Chris Robinson | 2014-07-19 | 1 | -3/+5 |
| | | | | | | Note that alLoadSoundfontSOFT doesn't currently allow using a soundfont with existing presets. This is for being able to load and stack multiple soundfonts for the default soundfont. | ||||
* | Use a macro to specify the fourcc formatters | Chris Robinson | 2014-07-18 | 1 | -21/+22 |
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* | Properly scale the first HRTF pass-through coefficient | Chris Robinson | 2014-07-17 | 1 | -4/+8 |
| | | | | | Coefficients are scaled by 32767. For pass-through, this is attenuated by sqrt(0.5) to maintain a consistent perceived volume. | ||||
* | Cleanup some HRTF code | Chris Robinson | 2014-07-16 | 1 | -68/+53 |
| | | | | Use loops instead of duplicating code, rewrite some lines to be clearer. | ||||
* | Fix omni-directional moving HRTF coeffs | Chris Robinson | 2014-07-14 | 1 | -4/+4 |
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* | Add a source radius property that determines the directionality of a sound | Chris Robinson | 2014-07-11 | 3 | -43/+70 |
| | | | | | | | | | At 0 distance from the listener, the sound is omni-directional. As the source and listener become 'radius' units apart, the sound becomes more directional. With HRTF, an omni-directional sound is handled using 0-delay, pass-through filter coefficients, which is blended with the real delay and coefficients as needed to become more directional. | ||||
* | Access the result macro parameter only once | Chris Robinson | 2014-07-06 | 1 | -3/+4 |
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* | Rename some functions | Chris Robinson | 2014-07-06 | 1 | -8/+8 |
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* | Store 4 modulators per map entry | Chris Robinson | 2014-07-06 | 1 | -16/+17 |
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* | Allow ALsoundfont_deleteSoundfont to handle multiple buffers | Chris Robinson | 2014-07-06 | 1 | -0/+10 |
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* | Don't require pre-declaring vector types | Chris Robinson | 2014-07-06 | 9 | -32/+31 |
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* | AL_SOFT_source_length is complete | Chris Robinson | 2014-07-05 | 1 | -1/+1 |
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* | Don't set modulators that have no destination | Chris Robinson | 2014-07-05 | 1 | -8/+10 |
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* | Fix a couple checks | Chris Robinson | 2014-07-05 | 1 | -2/+2 |
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* | Use a helper function to check valid MIDI controller inputs | Chris Robinson | 2014-07-04 | 2 | -5/+4 |
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* | Set the 'valid' field when we have a valid buffer pointer | Chris Robinson | 2014-07-04 | 1 | -3/+1 |
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* | Move an inline definition to a more appropriate source | Chris Robinson | 2014-07-04 | 2 | -2/+3 |
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* | AL_SOFT_MSADPCM is functionally complete | Chris Robinson | 2014-07-03 | 1 | -1/+1 |
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* | Remove an unnecessary cast | Chris Robinson | 2014-07-01 | 1 | -2/+2 |
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* | Fix preset zone instrument header check | Chris Robinson | 2014-07-01 | 1 | -2/+2 |
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* | Print SF2 text INFO chunks | Chris Robinson | 2014-07-01 | 2 | -51/+94 |
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* | Warn about all unhandled soundfont generators | Chris Robinson | 2014-06-30 | 1 | -4/+4 |
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* | Check the last preset and instrument properties within the loop | Chris Robinson | 2014-06-30 | 1 | -46/+10 |
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* | Standardize some New/Delete methods | Chris Robinson | 2014-06-30 | 1 | -3/+3 |
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* | Load soundfont samples into an ALbuffer | Chris Robinson | 2014-06-29 | 4 | -27/+36 |
| | | | | | Also remove ALsoundfont's now-unneeded sample storage functions and struct fields. | ||||
* | Store and use an ALbuffer for samples in an ALfontsound | Chris Robinson | 2014-06-29 | 1 | -3/+5 |
| | | | | | | | | The fontsound still maintains its own start, end, and loop offsets, so that the same buffer may be shared between multiple/all fontsounds. Ideally a single buffer should be used for all fontsounds to avoid memory fragmentation and help CPU caching, although higher quality soundfonts may need more memory than a single buffer can hold. | ||||
* | Only set the needed HRTF coefficients | Chris Robinson | 2014-06-21 | 1 | -2/+2 |
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* | Avoid negating 'negative' variable names | Chris Robinson | 2014-06-20 | 1 | -2/+2 |
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* | Don't pass the device to HRTF methods | Chris Robinson | 2014-06-20 | 3 | -15/+14 |
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* | Don't overwrite the loopback device format with the HRTF format | Chris Robinson | 2014-06-20 | 1 | -8/+18 |
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* | Remove unused variables | Chris Robinson | 2014-06-13 | 1 | -4/+0 |
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* | Get the mixer and resampler functions when needed | Chris Robinson | 2014-06-13 | 2 | -77/+73 |
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* | Combine the direct and send mixers | Chris Robinson | 2014-06-13 | 7 | -252/+95 |
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* | Combine some dry and wet path types | Chris Robinson | 2014-06-13 | 6 | -82/+76 |
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