| Commit message (Collapse) | Author | Age | Files | Lines |
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This helps the stability of transforms to local space for sources that are at
or near the listener. With a single-precision matrix, even FLT_EPSILON might
not be enough to detect matching positions.
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This is essentially a 12-point sinc resampler, unless it's resampling to a rate
higher than the output, at which point it will vary between 12 and 24 points
and do anti-aliasing to avoid/reduce frequencies going over nyquist.
Code provided by Christopher Fitzgerald.
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Also better handle the peaking filter gain.
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If the filter properties are continually updated, and the HF or LF gain goes
from <1, to 1, and later back to <1, the history shouldn't hold stale values
from before it was at 1.
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The extension's not going anywhere, and it can't do anything fluidsynth can't.
The code maintenance and bloat is not worth keeping around, and ideally the AL
API would be able to facilitate MIDI-like behavior anyway (envelopes, start-at-
time, etc).
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This helps avoid different results when looping is toggled within a couple
samples of the loop point, or when a processed buffer is removed while the
source is only a couple samples into the next buffer.
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SSE3 can avoid the slow _MM_TRANSPOSE_PS4 call thanks to the inclusion of
horizontal adds.
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Also report the proper specifier of the one currently in use.
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The method takes a marked-up filename (e.g. may include %r for a sample rate,
%% for %, etc), and returns a vector of strings of found filenames that match.
It will search the CWD, the local, and global data directories, in that order.
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Currently just returns a dummy entry.
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Note that this is the multiple above the device sample rate, rather than the
source property limit. It could theoretically be increased to 511 by testing
against UINT_MAX instead of INT_MAX, since the increment and positions are
using unsigned integers. I'm just being paranoid about overflows.
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Note that it still uses FuMa scalings internally. Coefficients loaded from
config files specify if they're FuMa (in both ordering and scaling) or N3D,
and will get reordered or rescaled as needed.
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It seems a simple scaling on the coefficients will allow first-order content to
work with second- and third-order coefficients, although obviously not with any
improved locality. That may be something to look into for the future, but this
is good enough for now.
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ALC_FALSE now indicates explicitly no HRTF mixing, while ALC_DONT_CARE_SOFT
is autodetect.
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This basically acts as if the app created a new context with the specified
attributes (causing the device to reset with new parameters), then immediately
delete it. Existing contexts remain undisturbed, except for a temporary pause
while the device output is reconfigured.
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DISABLED - Generic disabled status
ENABLED - Generic enabled status
DENIED - Not allowed (user has configured HRTF to be off)
REQUIRED - Forced (user has forced HRTF to be used)
HEADPHONES_DETECTED - Enabled because headphones were detected
UNSUPPORTED_FORMAT - Device format is not compatible with available filters
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This can report the status of HRTF, specifying if it's enabled or not and why
(currently only reports unsupported formats, but this may be extended).
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This method is intended to help development by easily testing the quality of
the B-Format encode and B-Format-to-HRTF decode. When used with HRTF, all
sources are renderer using the virtual B-Format output, rather than just
B-Format sources.
Despite the CPU cost savings (only four channels need to be filtered with HRTF,
while sources all render normally), the spatial acuity offered by the B-Format
output is pretty poor since it's only first-order ambisonics, so "full" HRTF
rendering is definitely preferred.
It's /possible/ for some systems to be edge cases that prefer the CPU cost
savings provided by basic over the sharper localization provided by full, and
you do still get 3D positional cues, but this is unlikely to be an actual use-
case in practice.
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Largely copied from JACK, it's extended to work with user-specified element
sizes instead of bytes. This is necessary to be able to work with 6- and 7-
channel output modes.
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