| Commit message (Collapse) | Author | Age | Files | Lines |
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This has a couple behavioral changes. First and biggest is that querying
AL_BUFFERS_PROCESSED from a source will always return all buffers processed
when in an AL_STOPPED state. Previously all buffers would be set as processed
when first becoming stopped, but newly queued buffers would *not* be indicated
as processed. That old behavior was not compliant with the spec, which
unequivocally states "On a source in the AL_STOPPED state, all buffers are
processed."
Secondly, querying AL_BUFFER on an AL_STREAMING source will now always return
0. Previously it would return the current "active" buffer in the queue, but
there's no basis for that in the spec.
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This avoids using seq_cst for loading the source state when either inside the
mixer, or otherwise protected from inconsistencies with async updates. It also
fixes potential race conditions with getting the source offset just as a source
stops.
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This change allows pair-wise panning to mostly go through the normal ambisonic
panning methods, with one special-case. First, a term is added to the stereo
decoder matrix's X coefficient so that a centered sound is reduced by -3dB on
each output channel. Panning in front creates a similar gain response to the
typical
L = sqrt(1-pan)
R = sqrt(pan)
for pan = [0,1]. Panning behind the listener can reduce (up to) an additional
-10dB, creating a audible difference between front and back sounds as if
simulating head obstruction.
Secondly, as a special-case, the source positions are warped when calculating
the ambisonic coefficients so that full left panning is reached at -30 degrees
and full right at +30 degrees. This is to retain the expected 60-degree stereo
width. This warping does not apply to B-Format buffer input, although it
otherwise has the same gain responses.
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The default number of auxiliary effect slots is now 64. This can still be
raised by the config file without a hard maximum, but incurs processing cost
for each effect slot generated by the app.
The default number of source sends is now actually 2, as per the EFX docs.
However, it can be raised up to 16 via ALC_MAX_AUXILIARY_SENDS attribute
requests, rather than the previous 4.
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The voices are still all allocated in one chunk to avoid memory fragmentation.
But they're accessed as an array of pointers since the size isn't static.
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Perf shows less than 1 percent CPU difference from the higher quality bsinc
resampler, but uses almost twice as much memory (a 128KB lookup table).
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This places the Send[] array at the end of the struct, making it easier to
handle dynamically.
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ALsourceProps' Send[] array is placed at the end of the struct, and given an
indeterminate size. Extra space is allocated at the end of each struct given
the number of auxiliary sends set for the device.
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Since it's modified by the mixer when playback is ended, a plain struct member
isn't safe.
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TRACEREFs aren't normally important, and for as often as it happens, the added
function calls are wasteful even if they end up doing nothing.
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This keeps the decoder matrices and coefficient mapping together for if it
changes in the future.
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Unsigned 32-bit offsets actually have some potential overhead on 64-bit targets
for pointer/array accesses due to rules on integer wrapping. No idea how much
impact it has in practice, but it's nice to be correct about it.
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This should improve positional quality for relatively low cost. Full HRTF
rendering still only uses first-order since the only use of the dry buffer
there is for first-order content (B-Format buffers, effects).
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Designed for apps that either don't change the listener's AL_GAIN, or don't
allow the listener's AL_GAIN to go above 1. This allows the volume to still be
increased further than such apps may allow, if users find it too quiet.
Be aware that increasing this can easily cause clipping. The gain limit
reported by AL_GAIN_LIMIT_SOFT is also affected by this.
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It's the only implementation currently, so there's no point to having it stored
as a function pointer in the filter struct. Even if there were SIMD versions,
it'd be a global selection, not per-instance.
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No idea if it was really gaining us anything, but removing it fixes a crash I
was getting with libs built with Clang.
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The combined source and listener gains now can't exceed a multiplier of 16
(~24dB). This is to avoid mixes getting out of control with large volume
boosts, which reduces the effective precision given by floating-point.
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This appears to be how Creative's Windows drivers handle it, and is necessary
for at least the Windows version of UT2k4 (otherwise it tries to play a source
while suspended, checks and sees it's stopped, then kills it before it's given
a chance to start playing).
Consequently, the internal properties it gets mixed with are determined by what
the source properties are at the time of the play call, and the listener
properties at the time of the suspend call.
This does not change alDeferUpdatesSOFT, which will still hold the play state
change until alProcessUpdatesSOFT.
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Note that this now also causes all playing sources to update when an effect
slot is updated. This is a bit wasteful, as it should only need to re-update
sources that are using the effect slot (and only when a relevant property is
changed), but it's good enough. Especially with deferring since all playing
sources are going to get updated on the process call anyway.
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