Commit message (Collapse) | Author | Age | Files | Lines | ||
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* | Fix reverb with UHJ encoding | Chris Robinson | 2016-03-03 | 1 | -1/+1 | |
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* | Use 2-channel UHJ for stereo output | Chris Robinson | 2016-02-26 | 1 | -6/+6 | |
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* | Remove a dead assignment | Chris Robinson | 2016-02-16 | 1 | -1/+0 | |
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* | Add special HRTF handling for reverb | Chris Robinson | 2016-02-06 | 1 | -1/+77 | |
| | | | | | | | This is pretty hacky. Since HRTF normally renders to B-Format with two "extra" channels for the real stereo output, the panning interpolates between a panned reverb channel on B-Format, and two non-panned reverb channels on stereo output, given the panning vector length. | |||||
* | Only apply the +3dB reverb gain boost to the ambient response. | Chris Robinson | 2016-02-06 | 1 | -2/+1 | |
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* | Avoid an extra sample of delay in the reverb modulator | Chris Robinson | 2016-02-05 | 1 | -4/+6 | |
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* | Remove an unnecessary variable and move duplicate code to a common spot | Chris Robinson | 2016-02-05 | 1 | -37/+23 | |
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* | Don't explicitly check for LFE | Chris Robinson | 2016-02-05 | 1 | -16/+0 | |
| | | | | It's going to be set to 0 gain anyway | |||||
* | Boost the direct-pan reverb to better match the expected volume | Chris Robinson | 2016-02-05 | 1 | -0/+2 | |
| | | | | | Hopefully. Would be nice to have a reference implementation for this style of reverb to compare with. | |||||
* | Update a couple outdated comments | Chris Robinson | 2016-02-05 | 1 | -3/+1 | |
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* | Apply the early and late reverb gains with the panning gains | Chris Robinson | 2016-02-05 | 1 | -26/+28 | |
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* | Better organize the reverb code into separate labeled sections | Chris Robinson | 2016-02-05 | 1 | -425/+442 | |
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* | Separate early and late reverb output for standard reverb too | Chris Robinson | 2016-02-05 | 1 | -33/+27 | |
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* | Modify how the four output reverb points are calculated | Chris Robinson | 2016-02-05 | 1 | -40/+62 | |
| | | | | | For HRTF and B-Format output, the points no longer move but instead scale based on the desired panning direction. | |||||
* | Try to map reverb outputs directly to output channels | Chris Robinson | 2016-02-01 | 1 | -2/+77 | |
| | | | | | | | | | HRTF and B-Format output still need to use virtual panning directions, but the reverb works better when it outputs directly to an output channel. Ambient and directional panning is used to properly mask and attenuate each output channel. Note that currently the "direct panning" output is quieter than it should be. Work is underway to attenuate the early reflections and late reverb better. | |||||
* | Apply the main reverb gain with the panning | Chris Robinson | 2016-02-01 | 1 | -13/+12 | |
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* | Fix an out of date comment | Chris Robinson | 2016-01-31 | 1 | -4/+2 | |
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* | Pass a pointer to the input samples array for effect processing | Chris Robinson | 2016-01-27 | 1 | -3/+3 | |
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* | Separate calculating ambisonic coefficients from the panning gains | Chris Robinson | 2016-01-25 | 1 | -5/+14 | |
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* | Simplify reverb panning rotations | Chris Robinson | 2015-11-07 | 1 | -4/+4 | |
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* | Pan each early/late delay line separately | Chris Robinson | 2015-11-05 | 1 | -56/+70 | |
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* | Remove an unneeded memset that was overwriting memory | Chris Robinson | 2015-11-05 | 1 | -2/+0 | |
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* | Pass in the Q parameter for setting the filter parameters | Chris Robinson | 2015-11-01 | 1 | -2/+5 | |
| | | | | Also better handle the peaking filter gain. | |||||
* | Use modff to split the modulation delay components | Chris Robinson | 2015-10-31 | 1 | -4/+3 | |
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* | Mix reverb to output in the inner loop | Chris Robinson | 2015-10-29 | 1 | -41/+39 | |
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* | Include the echo's attenuation of the late reverb in the late reverb gain | Chris Robinson | 2015-10-29 | 1 | -24/+29 | |
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* | Do up to 256 samples per reverb inner loop iteration | Chris Robinson | 2015-10-29 | 1 | -2/+3 | |
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* | Always update all reverb properties | Chris Robinson | 2015-10-28 | 1 | -68/+44 | |
| | | | | | | The EAX-only effect properties will be set to compatible defaults when standard reverb is set, and the EAX-only effects will be skipped during sample processing. | |||||
* | Do multiple samples at once in each reverb component | Chris Robinson | 2015-10-28 | 1 | -245/+267 | |
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* | Rename F_2PI to F_TAU | Chris Robinson | 2015-09-13 | 1 | -2/+2 | |
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* | Improve ambient gain calculations | Chris Robinson | 2014-11-25 | 1 | -4/+4 | |
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* | Fix reverb panning direction | Chris Robinson | 2014-11-25 | 1 | -2/+2 | |
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* | Interpolate directional reverb gains with ambient based on vector length | Chris Robinson | 2014-11-15 | 1 | -4/+23 | |
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* | Pas the output device channel count to ALeffectState::process | Chris Robinson | 2014-11-07 | 1 | -10/+10 | |
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* | Use a separate macro for the max output channel count | Chris Robinson | 2014-11-07 | 1 | -5/+5 | |
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* | Use a method to set omni-directional channel gains | Chris Robinson | 2014-11-04 | 1 | -2/+1 | |
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* | Avoid taking the square-root of the ambient gain | Chris Robinson | 2014-10-11 | 1 | -33/+13 | |
| | | | | | | Although it is more correct for preserving the apparent volume, the ambisonics- based panning does not work on the same power scale, making it louder by comparison. | |||||
* | Make ComputeAngleGains use ComputeDirectionalGains | Chris Robinson | 2014-10-02 | 1 | -26/+36 | |
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* | Combine some fields into a struct | Chris Robinson | 2014-09-10 | 1 | -2/+2 | |
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* | Remove a couple unnecessary typedefs | Chris Robinson | 2014-08-24 | 1 | -2/+2 | |
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* | Update COPYING to the latest ↵ | François Cami | 2014-08-18 | 1 | -2/+2 | |
| | | | | https://www.gnu.org/licenses/old-licenses/lgpl-2.0.txt to fix the FSF' address Fix the FSF' address in the source | |||||
* | Make LOWPASSFREQREF a float value | Chris Robinson | 2014-05-11 | 1 | -1/+1 | |
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* | Use a void* for the effect state Delete method param | Chris Robinson | 2014-03-21 | 1 | -5/+2 | |
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* | Use a helper macro for pi*2 | Chris Robinson | 2013-10-08 | 1 | -2/+2 | |
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* | Use inline initialization for effect state factory vtables | Chris Robinson | 2013-10-07 | 1 | -15/+6 | |
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* | Constify the effect parameter of effect getters | Chris Robinson | 2013-10-07 | 1 | -8/+8 | |
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* | Use the UNUSED macro in the effects | Chris Robinson | 2013-10-07 | 1 | -2/+1 | |
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* | Use a macro for the silence threshold | Chris Robinson | 2013-10-06 | 1 | -9/+10 | |
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* | Use helpers to set channel gain arrays | Chris Robinson | 2013-10-03 | 1 | -16/+2 | |
| | | | | Also avoid unnecessary clearing. | |||||
* | Implement master high-pass filter for EAXREVERB | Chris Robinson | 2013-07-21 | 1 | -9/+24 | |
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